Do you do commissions?
Yes. I am happy to create a beautiful work of art just for you. Just drop me a line and I would be happy to talk through what you have in mind. If you decide to commission an artwork, usually a deposit is required, which will be deducted from the final sale price. Prices and exact conditions depend on size and scope of the commission.
Yes. I am happy to create a beautiful work of art just for you. Just drop me a line and I would be happy to talk through what you have in mind. If you decide to commission an artwork, usually a deposit is required, which will be deducted from the final sale price. Prices and exact conditions depend on size and scope of the commission.
What materials do you use?
I use high quality materials to ensure artwork stands the test of time; Audrey Blackman and Onyx Black Porcelain, Contem Glaze Stains.
Framed pieces are presented on floating mounts and fixings are screwed into the back so the works are ready to hang.
Ink and watercolour artwork is painted with artists quality St Petersburg White Night Watercolours and on acid-free watercolour paper.
I use high quality materials to ensure artwork stands the test of time; Audrey Blackman and Onyx Black Porcelain, Contem Glaze Stains.
Framed pieces are presented on floating mounts and fixings are screwed into the back so the works are ready to hang.
Ink and watercolour artwork is painted with artists quality St Petersburg White Night Watercolours and on acid-free watercolour paper.
What is your process?
Worked as fine as possible, porcelain is press moulded onto folded linen to create texture, crisp edges, surface movement, light and shadow.
Loose lines echo the folds and emphasise the surface movement.
Choosing a very limited palette much of the porcelain is left as pure white. Any colour is added at the beginning and worked into the porcelain so it is integral to the final piece.
Worked as fine as possible, porcelain is press moulded onto folded linen to create texture, crisp edges, surface movement, light and shadow.
Loose lines echo the folds and emphasise the surface movement.
Choosing a very limited palette much of the porcelain is left as pure white. Any colour is added at the beginning and worked into the porcelain so it is integral to the final piece.
